Interestingly, this was the first Bond title sequence not feature 007 since Dr No. Similar to Binder, it updates the formula with CG women made of circuitry, which is as creepy as it sounds. GoldenEye was a transition sequence though, as Kleinman would unleash his creative vision with Tomorrow Never Dies, his best sequence. The music video is an early indicator of where Kleinman would take the Bond title sequences (the colour palette is very similar), but it also shows the same imaginative streak when it came to structure. Kleinman cut his teeth in music videos, and directed one of the best music videos of the 1980s, Big Love by Fleetwood Mac. This sequence is what Bond sees when his therapist makes him take a Rorschach test. Designed by Daniel Kleinman, it’s a much more colourful sequence than Binder’s usual stuff, and is literally crawling with naked women, who are destroying phallic symbols of communism. Binder’s last sequence was License to Kill in 1989, arriving before Bond took a hiatus, returning in the form of dashing Irishman Pierce Brosnan in 1995.
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